姜帝圭电影中的战争世界

The War World of JIANG Di-gui’s Movies

自1999年至今，韩国导演姜帝圭只拍摄了3部电影，却营造了一个属于自己的战争世界。他每部电影记述的时代虽不相同，但是对于战争与人性错综复杂关系的叩问却从未停歇。他的电影用温暖的情感体验和血腥的战场现实形成鲜明的对比，以此来表达自己的反战态度。他电影中的“家国梦”与朝鲜半岛三八线的冲突，更是表达了导演在朝韩对峙的社会语境下对民族身份的思考，而浓郁的历史叙述方式与民族记忆的追溯，也使他的作品成为朝韩半岛民族历史的一个侧记。

Since 1999,Jiang Di-gui, the South Korean director, has only directed three films, but built his own war world. He has never stopped asking the complicated relationship between war and human nature in his movies, though which are not in the same era. He made a sharp contrast by using warm feeling experience and bloody battlefield to express his anti-war attitude. National dream in his movies conflicted with 38 routes of the Korean peninsula, especially expressing the director＇s thinking of their national identity in that social context, while his rich historical narrative and the national memory traces make his works become one sidelight of the history of Korean peninsula.