“作者论”的源与流

On the Source and Flow of “Auteur Theory”

"作者论"是世界电影史上最为人所重视的电影观念之一,具有天生的浪漫主义品性。从法国兴起后迅速传播到英国和美国,最初在美学上的个人崇拜发展为民族主义,然后又遭遇结构主义。作为一种有效的电影批评理论,虽然经历了诸多论争,作者论的贡献不可磨灭,它依然占据着电影世界重要的席位。

＂auteur theory＂ is one of the cinema concepts to which most people attach importance in the world cinema history. It boasts an inherently romantic character. After the rising, it rapidly spread from France to the United Kingdom and the United States, and the initial individual worship in terms of aesthetics evolved into nationalism, and then subjected itself to structural- ism. As an effective theory of film criticism, while undergoing a lot of controversy, auteur theory still enjoys an indelible contri- bution and occupies an important seat in the film world.