“性灵”诗说与清代中后期词学演进

The Poetic Theory of Personality and the Development of Ci-poetry Studies in the Late Qing Dynasty

袁枚倡导的"性灵"诗说流行于清代乾嘉时期,其本人与乾嘉词坛的关系呈现出一种疏离状态。袁枚极少评词,也不擅作词,并未直接参与当时的词坛建设,其子袁通在创作取径上的转变可以佐证这一点。而"性灵"诗说对词坛的渗透则在郭麐的词论中有不少体现,郭氏对朱彝尊、厉鹗的不同评价,就与袁枚保持了一致,他以"性灵"词学观为核心,否定了词坛上强调忠孝与声律的两股势力,这二者其实构成了晚清词学在解词、作词领域的主流,这一敏锐而有前瞻性的词学观后继乏人,可说是词学史上的一个遗憾。在浙、常交替的词史背景下,"性灵"诗说在加速浙西词派分化、推动词史复古之风的兴起,以及深化晚清词论等方面对清代中后期的词学演进产生了不同程度的影响。

Yuan Mei's poetic theory was closely involved in the development of ci-poetry with farreaching influences even on ci-poetry studies of the middle and late Qing Dynasty. This paper examines the relationship between Yuan Mei and ci-poetry community in Qian-Jia period of the Qing Dynasty. It also analyzes Guo Lin's poetic theory in the framework of Yuan Mei's theory of personality. The author expects to elaborate on the impact of the disintegration of Zhexi( western Zhejiang) school,of the renaissance of classical style and of further development of ci-poetry studies in the Late Qing Dynasty on the development of ci-poetry studies in the middle and late Qing Dynasty.