侗族大歌题材纪实类影视创作之反思

Reflection:the Documentary Movie and Television Creation of Dongzudage

20世纪80年代后期,以侗族大歌为表现题材的纪实类影视创作随着侗族大歌享誉世界的声音,其独特性和艺术魅力逐渐显露。笔者通过一手影像资料的搜集和分析,发现在此种影像创作中普遍存在"视点单一"、"片型雷同"、"舞台化人工痕迹过重"等明显问题,更是鲜有能被称为"民族志"的纪实类影像作品。在梳理一手影像资料和形成落点的同时,对出现问题的原因作了相应分析,旨在对少数民族题材特别是非物质文化遗产等珍贵民族文化的影视媒体介入方式方法作出一定程度的反思。

In the late 1980s, such documentary movies or television works as Dongzutaige with its world -renowned uniqueness and artistic charm were gradually revealed. The author, through the primary image data collection and analysis, found that these works had the problems of ＂single viewpoint＂, ＂same - type identical＂, ＂too much stage - performance＂ and so on. Few of them can be called ＂ethnographic＂ class documentary video works. This paper, while combing the primary image data and the formation of placement, also analyzed the reasons for the occurrence of the problem, which aimed at reflecting the minority subjects, especially the ways and means of intervention of non - material cultural heritage of national culture media.