摘要
The study finds that, for Romania, the period 1920-1939 is one without major contradictions. In ＂neutrosophy＂ of renowed American professor F. Smarandache＇s terms, the interwar period was, in Romania, a ＂neutral＂ period. As mediating operators, professional journals reflected the atmosphere of relative tranquility and social peace. From the qualitative analysis of their media discourse, we can see three elements that： （1） the professional journals of Oltenia, as media tools for teachers, priests and folklore （folklorist）, or music enthusiasts （music lovers）, were loyal to their financial supporters; （2） although they served oblique and opposition interests, the communication professional operators have generally not emphasized, perpetuated or generated conflicts, disputes and misunderstandings; and （3） social attitudes promoted by professional magazines in Oltenia was a beneficial, objective one of better understanding and neutrality. The conclusion is that, despite the axiom that progress is generated by contradiction, it shows that professional journals in Oltenia, during 1920-1939, even in the absence of contradictions, namely under neutrality, there have been major advances.
