Negotiations of the ＂Female Gaze＂： Film Theory and Practice in Polish Women＇s Art and Cinema＊

Negotiations of the ＂Female Gaze＂： Film Theory and Practice in Polish Women＇s Art and Cinema＊

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出处《Journalism and Mass Communication》 2013年第8期532-540,共9页 新闻与大众传媒（英文版）

关键词电影理论艺术家波兰妇女女性谈判视听艺术新媒体 women＇s cinema and arts, gender, identity, post-communist transformations

参考文献15

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3de Lauretis, T. (2010). When lesbians were not women. Retrieved September 16, 2010, from http://vsites.unb.br/ihihis/gefem/special/special/delauretis.htm.
4Humm, M. (1997). Feminism andjilm. Edinburgh University Press.
5Johnson, C. H. (2009). Becoming-Grrrl: The voice and videos of Sadie Benning. In C. Columpar, & S. Mayer (Eds.), There she goes: Feminist jilmmaking and beyond, jilm. Detroit: Wayne State V niversity Press.
6Kaplan, E. A. (1983). Women andjilm: Both sides of the camera. New York and London: Methuen.
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8Mayne, J. (1993). Cinema and spectatorship. New York: Routledge.
9Meagher, M. (2009). Final girls: Appropriation, identification, and fluidity in Cindy Sherman's "Office Killer". In C. Columpar, & S. Mayer (Eds.), There she goes: Feminist filmmaking and beyond, film. Detroit: Wayne State University Press.
10Mellencamp, P. (1990). Indiscretions: Avant-garde film, video andfeminism. Bloomington: Indiana University Press.

Journalism and Mass Communication

2013年第8期

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