摘要
穆旦是20世纪40年代重要的中国诗人,他以既介入又超然的方式与时代保持广泛而紧密的联系,以"承担历史的独立姿态"重建战时中国现代主义诗歌的新生代形象。穆旦的诗歌创作于重重危机和种种矛盾的关口,他直面世界的破毁,鞭打裂变的自我,表现了在战时环境下对世界万物、人类历史、社会现实和自我生命存在的观察、思考、体验与感受,创造出一个"丰富和丰富的痛苦"的诗歌艺术世界,成为一代青年知识分子"受难的品格"的代表。
Mu Dan was a important poet of the 1940s in china, he maintained extensive and close ties to times in both interventional and transcendent ways, he rebuilt Cenozoic images of Chinese Modernism Poem in wartime with "bearing history's independent attitude". Mu Dan created his poetries in the age of many crisis and various contradictions, he faced the broken world and whipped divided ego, expressing his observation, thinking, experience and feeling to the world, human history, the social reality and self-existence of life in wartime environment, he create a "abundance and abundant pain" poetry world, becoming the representative of " suffering character " in the generation of young intellectuals.
出处
《社会科学》
CSSCI
北大核心
2013年第11期177-186,共10页
Journal of Social Sciences
基金
中央高校基本科研业务费专项资金资助项目"九叶诗派综论"(项目编号:CCNU12HO1003)的阶段性成果