摘要
1957-1960年间的《长生殿》研究仍主要集中于思想主题。在此期间,沉寂三年的爱情主题说重出江湖并再次成为焦点。其支持者从人性论、典型论角度对这一主题说的申辩所引发的讨论,使《长生殿》思想主题的研究超越文本研究的范畴,而触及文艺批评的基本理论问题,本来有可能促进《长生殿》讨论的深入发展。但政治风向与思想氛围的变化,改变了论争的基调,学术讨论再次演变成了思想批判。
The study of Palace of Eternal Youth from 1957 to 1960 still focused on its theme of ideology.During this time,love theme made its reappearance and became the center issue again after being silenced for three years.The supporters of love theme provided two aspects of theory,first,the theory of human nature,second,the change and confliction of representative theory.These two theories have made the ideology study of Palace of Eternal Youth surpass its original range,which was the study of the context,and scratched the basic theoretical question of art criticism.This could initially push the discussion into a deeper ground.However,the change of political wind and the atmosphere of thoughts also altered the fundamental key of this discussion,and forced it into ideology criticism.
出处
《重庆师范大学学报(哲学社会科学版)》
2013年第5期30-38,共9页
Journal of Chongqing Normal University Edition of Social Siences
关键词
长生殿
爱情主题说
人性论
典型论
思想事件
Palace of Eternal Youth
love theme
the theory of human nature
the change and confliction of representative theory
thought event