“老中国”形象的空间与场域展示——越文化空间中的鲁迅小说“场域设置”

Display of Space and Field of “Old China”Image—— “Configuration of Field”of Lu Xun's Novels in Yue Culture Space

在中国的现代化进程中,如何把握对"老中国"的认知和审视,由此确立批判国民性、重铸民族魂灵的思想路径,鲁迅的独特之处是:依据个人独特的心理体验,择取他"熟知"的越文化空间,设置颇具地域文化景观特点的场域,展示他对"老中国"的深刻认识。"S城""鲁镇""未庄"是鲁迅在越文化空间中设置的三个看似不相关,但实际上则是紧密关联的空间场域。通过对它们内外结构的剖析,鲁迅揭示出蕴含其中的"老中国"错综复杂的意义关联,尤其是对其中的"固态""异化"和"衰败"空间意蕴进行了认真的阐释和形象的展示。

In China＇ s modernization process, what remains unsettled is the question of how to review ＂Old China＂, on the basis of which an ideological path of remolding national soul can be established combined with the criticism of national character. In this re- spect, Lu Xun exhibits his uniqueness as follows： Grounded on his personal specific psyche, he selects what is familiar to him, i. e. Yue culture space, setting up the field featuring fairly regional cultural scenery, and displaying his profound interpretation of ＂Old China＂. The three spots ＂S city＂, ＂Luzhen town＂ and ＂Weizhuang village＂ in Lu Xun＇s configuration of Yue culture space are apparently unrelated to each other, however, they actually belong to the same closely- related space field. By probing into the internal and external structures, Lu Xun delineates the complicated semantic correspondence of ＂Old China＂ entailed in them. He, in particular, interprets in earnest the space implied by ＂fossilization＂, ＂foreignization＂ and ＂degeneration＂ and displays their ima- ges respectively.