摘要
十年沉默期的鲁迅从辑录古籍碑帖中身临其境地回到了魏晋时代,读懂了嵇康、阮籍放达不羁背后隐藏着的深深哀伤,体悟到竹林玄学强调人与人的本性相融合的平衡美。这种萌生于中年时期的"嵇阮情结"潜在地与其青年时期所钟情的"托尼学说"相契合,并相互验证地统一于鲁迅的"立人"思想中,成为他投身即将开始的"五四"创作浪潮的精神资源,生成了一系列心怀大爱的"狂人"形象。
Lu Xun traced the Wei and Jin Dynasties by compiling ancient books and inscription rubbing in his ＂ten-year silent period＂. He read and understood Ji Kang and Ruan Ji＇s deep grief hidden behind the bohemianism, realized the interpersonal balanceable beauty emphasized by ＂Metaphysics of Bamboo Groves＂. ＂The Ji-Rruan Complex＂ initiated in Lu Xun＇s middle age corresponded to ＂Tolstoyism-Nietzschean Theory＂ which attracted Lu Xun in his youth, they unified in his thought of ＂Establishing Human＂ getting fine mutual verification. They become Lu Xun＇s spiritual resources when he devoted himself to May 4th creation tide, and shaped a series of ＂the crazy man with a deep love＂ images.
出处
《中南大学学报（社会科学版）》
CSSCI
2013年第5期182-187,共6页
Journal of Central South University：Social Sciences
基金
惠州学院博士科研启动项目(C511.0108)
关键词
鲁迅
十年沉默期
竹林玄学
“嵇阮情结”
“狂人”
Lu Xun
ten-year silent period
Metaphysics of Bamboo Groves
＂Ji-Rruan Complex＂
＂the crazy man＂
