诗歌语言的张力——以区鉷的《对话》为例

On Language Tension in Poetry:Taking Ou Hong's Poem Dialogue as an Example

诗歌的语言设计是特别的,艺术的,具有张力的。诗歌本身就要求诗歌语言承载或可以承载作为诗歌语言张力代表性元素的丰富意象。区鉷教授的诗歌《对话》(Dialogue)讨论了诗歌语言的选择和设计,特别是虚词或模糊语言的频繁使用,使得诗歌语言较其它文体语言更具有模糊美学的要素和张力。即使表面没有意象的诗歌,有时恰恰也可以承载或通过诠释承载更加丰富的潜在意象;这种现象取决于诠释者/读者/译者如何根据自己的个体经验具体诠释或翻译来填充诗歌的意象虚位。

The design of poetic language is special, artistic and tensive, and poetry itself also requires rich image which is one of the representative elements of language tension in poetry. This paper takes Pro- fessor Ou Hong^s poem Dialogue as an illustration to discuss poetic language selection and design leading to a good tension of poetry. The author thinks that even if there is no superficial or obvious image, a good poem like Ou＇s Dialogue actually can also imply any more images coming from experiential readers~ under- standings and interpretations.