试析19世纪西方绘画艺术的意象——以莫奈作品为例

Analysis on Western Painting Art Image of the 19^(th) Century——Taking Monet's works as a case

西方绘画上的意象表现物象的真实性,体现出一种相对静止性的特点。以睡莲、日本桥、人物画为例,对莫奈的艺术进行东方图式的审美意象研究,可以看出,莫奈的艺术形象不是印象的复制,而是诉诸直觉感受的意象,它是一种充满了感情、旺盛的生命和艺术家生命的意象。通过种种形象的信息运动能使人深刻地认识到美的意象,这种美就在于图可尽意或者图意同在,用这种叠加的形式将其意象叠在另一个概念上,这也是莫奈绘画最强审美艺术的魅力之一。

The image of western painting represents the authenticity of objects, reflecting a relatively static characteristic. Taking water lily, Japan bridge, figure painting as examples, the author carries out the study on the aesthetic image of oriental schema in Monet＇s art, which shows Monet＇s art image is not the impression of the copy, but for appealing the intuition of image, it is an image full of affection, vigorous life and artist＇s life. Various image information movement can make people profoundly notice the beauty of image, and the beauty just lies in painting presenting all meaning or both painting and meanings together. Using the superimposed form to stack the image on another concept is one of most charming points in Monet＇s aesthetic art.