民间遗存巫傩舞蹈艺术形态的历史演变——以湘西地区为例

The Historical Development of the Artistic Form of Wu Nuo Dance——A Case Analysis of Western Hunan

巫傩舞蹈是人类文化史上最早产生的艺术形式之一,它既是一种内涵"巫傩"信仰而又不乏"审美"表达的民间艺术形式,又是集多元宗教、多种民俗以及多种艺术相融合的复杂文化形态。巫傩舞蹈作为"巫傩文化"的外显媒介和载体,体现和包含了众多内隐文化价值和意义。通过文化人类学探索向度,研究巫傩舞蹈形态孕育形成的成因、演变发展的规律及其特征,具有超越舞蹈本体方法论意义。同时,对于还原巫傩舞蹈本体艺术,进一步完善和丰富中国舞蹈史,有着积极而重要的意义。

As one of the earliest artistic forms in the history of human culture, Wu Nuo Dance not only connotes the Wu Nuo belief, but also holds various aesthetic, expressions. Moreover, it is a compound cuhure form comprising multi - religion, various customs and arlistic fi）rms. The artistic form of Wu Nuo Dance, as a carrier and all external medium of ＂Wu Nuo Culture＂, reflects and comprises many implicit cultural values and significances. From the dimension of cultural anthropology, this research explores the birth causes, the Iaw of evolution and development, and tile characteristics of Wu Nuo Dance. The research outreaches the significance of methodology of dance itself, and meanwhile represents the appearance and artistic value of Wu Nuo Dance, thus further enriching and improving the history of Chinese dance.