摘要
以东嘎1号窟法界语自在曼荼罗壁画为对象,梳理与该曼荼罗相关的藏文文献,并结合该窟法界语自在曼荼罗图像作对比研究,理清11世纪初至12世纪中晚期在西藏西部流行的以四面八臂白色文殊菩萨为主尊的法界语自在曼荼罗图像与所据文本之间的关系。
Focusing on the wall paintings of the Dharma-dhfitu-vagisvara-mandala. ala in Dung-dkar Cave 1, this study sorts out the Tibetan documents about this kind of mandala and presents a comparison of both the texts and the iconographies, so as to clarify the relationship between the iconographies of Dharma-vagisvara-mandala, ala dominated by a four-headed eight-armed white Manjusri image, which was popular in western Tibet from the early 11^th century to the middle of the 12^th century, and the texts they were based on.
出处
《敦煌研究》
CSSCI
北大核心
2013年第5期60-66,共7页
Dunhuang Research
