摘要
文学观念的产生、发展、认同、终结都有一定的轨迹可循。现代文学观念是伴随着印刷媒介的大范围应用而兴起的,印刷媒介不仅改变了文学的写作方式,作家的存在方式,文学的传播,而且影响着文学的题材、构思和读者的阅读,从而形成了一种有别于前印刷媒介时代的文学观念。新媒介的诞生不断地消解着原有的文学观念,预示着印刷媒介统治下的文学观念的终结。新的文学观念和文学存在形态正在形成,文学格局正在面临结构性的变化,文学理论研究面临着新的挑战和机遇。
The birth, development, identity and the end of literary concept have certain rules to follow. The concept of modem literature is a wide range of applications associated with the print-media. The rise of the print-media has not only changed the way of literary writing, the presence of the writer, the dissemination of literature, but also affects literary themes, reading and the idea of readers, which forms a literary concept that is different from that of the pre-print media age. The birth of new media changed the original literary concept, which put an end on the literary concept under the domination of the print-media. The new concept of literature and literary existing form are being formed, and literary pattern is undergoing structural changes, which means the literary theory research is facing new challenges and opportunities.
出处
《河北工程大学学报(社会科学版)》
2013年第3期77-79,82,共4页
Journal of Hebei University of Engineering(Social Science Edition)
基金
河北师范大学研究生科研基金项目<媒介本体论--文学理论研究第五维>(编号:201201006)
关键词
文学观念
媒介
发生
终结
literary concept
media
occurrence
end