摘要
从历史的角度对哲学与美学中的语言进行双向观察,从中可以看到,无论是哲学还是美学抑或是文人创作都是建立在一个清醒的认识基础之上的,即对日常语言的有限性的充分认识。而正是这"言不尽意"所引起的警觉,才促使人们开始更为自觉地运用意蕴丰富的文学语言进行创作,并最终促进形成了中国独特的诗性智慧。
Through the bidirectional observation of the language in philosophy and aesthetics from the historical perspective, it can be concluded that, philosophy, aesthetics and literary creation are based on a clear cognition, which means to have a sufficient understanding of the finiteness of ordinary language. It is the view " meaning beyond words" that prompts people to use literary language with rich implication in creation and promotes the formation of Chinese poetic wisdom.
出处
《青岛农业大学学报(社会科学版)》
2013年第3期88-92,共5页
Journal of Qingdao Agricultural University(Social Science)
关键词
言不尽意
语言有限性
诗性语言
meaning beyond words
the finiteness of language
poetic language