摘要
毛泽东在《在延安文艺座谈会上的讲话》中提出了"文艺为人民大众"的思想,确立了人民本位的文艺观,为延安和新中国的文艺事业和文化发展指明方向,初步建构了社会主义文艺价值观,迎来了文学艺术的发展与繁荣。但是,它也曾被片面理解、误读甚至歪曲。新时期以来,偏误被纠正。从邓小平提出的"双为"方向,到习近平在近期召开的全国宣传思想工作会议上强调"要树立以人民为中心的工作导向",标志这一思想在新的历史阶段、新任务下的继承与发展,体现了我们党新的文化自觉。当前,毛泽东这一思想仍然具有重要的现实意义。一部中国现当代文艺史,就是中国共产党领导文艺发展的历史,也是共产党人对文艺文化的认识不断深化的历史。《讲话》作为马克思主义文艺理论发展划时代的文献,它的基本精神仍然闪烁着真理的光辉。
Mao Zedong's ideology of 'literature and art for the masses' in the Speech of Yan'an Literature and Art Symposium established the people-oriented artistic view, pointed the direction for the literary career and cultural development of Yan'an as well as new China, preliminarily constructed the literature and art value, ushered the development and prosperity of literature art.However, it has also been partially understood, misunderstood and even distorted. These biased errors have been corrected since the new period. From Deng Xiaoping's 'Literature and art for the masses and society' to Xi Jinping's 'to set up a people-centered work orientation' emphasized at the recently held national propaganda ideological work conference, all marked the inheritance and development of this ideology under new historical stage and new missions, reflected the new cultural self-consciousness of the Party. At present, this ideology of Mao Zedong's still holds important practical significance.
出处
《毛泽东邓小平理论研究》
CSSCI
北大核心
2013年第9期64-69,93,共6页
Studies on Mao Zedong and Deng Xiaoping Theories