“乡土小说”写作视角变化探迹——以茅盾文学奖获奖作品为例

A Probe into the Change of Perspectives in Writing "Country Novels"——Taking Mao Dun Literature Prize for Example

乡土文学是中国现当代文学创作中"最大的家族",其中"乡土小说"更是佳作迭出,尤以长篇形式为最。在已有的八届茅盾文学奖36部获奖作品中(不包括两部荣誉奖),乡土小说有13部之多,占获奖作品总数的36.1%。20世纪80年代以来,随着乡土中国历史进程的巨大变革,有着深厚文学传统的乡土题材小说的关注热点,也随之发生了与时俱进的变化。

Country literature is considered the ＂the largest family＂in the history of contemporary Chi-nese literature ,and has produced a great number of master works of “country novels”in recent years .A-mong the 36 prize-winning works （ not including the two honor prizes ） of the eight Mao Dun literature prizes ,country novels have taken .as many as 13 ,accounting for 36 .1% of the sum total .These country novels ,w hich depict the great changes made in the different historical reforme process of rural China since the 1980s ,have also converted their focus of attention a lot with the times.