鲁迅论梅兰芳及京剧艺术研究

Lu Xun on Mei Lanfang and Peking Opera

将鲁迅论梅兰芳及京剧艺术放置于20世纪中国戏曲改革发展整体进程中加以研究,我们会更为公允地理解鲁迅的论说,同时也把握到贯穿20世纪中国戏曲改革史的一些核心问题,比如对戏曲的本质和功能的认识、戏曲作为民间文化的被改造及戏曲与更广大的民众之间的关系等等。鲁迅的论说对我们今天思考中国戏曲的现状和未来仍具有重要启示。

Lu Xun＇s comments on Mei Lanfang and Beijing Opera could be more justifiable in the circumstances of China＇ s 20th - century opera reform, while approach to the key issues in the history of Chinese opera reform such as the nature and function of traditional opera, traditional opera as folklore and its relation to the masses etc is clarified. Lu Xun＇ s criticism and theory remains significant and enlightening to nowaday researchers in their studies of the status quo and future of Chinese opera