中国视野:从戏教传统到电影审查

Through the Chinese Eye: From the Tradition of Stage Edification to Film Censorship

戏教传统虽然以传统戏剧为主要对象,却在民族语境中有其普适性,它直接规训着本民族与外来艺术的发展形态。本文试图从中国视野出发,分析中国早期电影场域各种意识形态力量对戏教传统的传承与补充,探讨从戏教传统到中国式电影审查之间独特的演变逻辑与意识形态生成机制。

Theatrical tradition targets the traditional drama; however, it contains universality in a national context--it defines the state of development of national and foreign art. The writer analyses the transmission and complement of early Chinese cinematic ideology in the Chinese perspective, and explores the unique evolution from theatrical tradition to the Chinese-style film censorship as well as the ideological mechanism.