摘要
作为"江南三部曲"的第二部,格非依旧在历史中营造自己的"桃源梦",在这次"造梦"的过程中,格非塑造了身份特殊的"边缘人",通过对他们的刻画,使读者认识到知识分子身处历史漩涡的不由自主及"独善其身",进而带领读者领略异化、扭曲的"桃花源"——花家舍,同时看到了格非自己的"追梦"旅程。
Ge Fei was still dreaming of his Peach-garden dream in the second part of Southern Yangtze Trilogy in the atmosphere of history. This time he has created some special marginalized roles. They centrally display the intellectual's historical involuntariness and immunity. The readers are led to taste an alienated and twisted Peach-garden-Flowery Home and to be immersed in Ge Fei's dreaming journey.
出处
《重庆三峡学院学报》
2013年第6期80-83,共4页
Journal of Chongqing Three Gorges University
关键词
边缘人
知识分子
异化
“桃源梦”
marginalized people
intellectuals
alienated
Peach-garden dream