十七年电影中城市形象的表征与缺席

The Representation and Absence of the City Image in 17 Years(1949-1966)

十七年电影继承了解放前中国电影的传统和已经取得的成就,在新中国新的政治体制和经济形式下,开始全面参与到新中国的制度建设、经济发展和文化认同的整体建构中的同时,电影在为意识形态服务、建构文化认同等方面等到了进一步的深化。反映城市生活的影片并不是电影主流话语,三大制片厂极少拍摄表现城市生活的影片。城市生活影片以一种潜流的方式存在于很多影片中,这也成为一道独特的风景,供我们管窥当时城市发展与农村建设、工业发展之间微妙的关系。

These movies produced in the seventeen years from 1949-1966 inherited the cinematic tradition and achievement of Old China and participated fully in the institutional construction,economic development and cultural identity construction as films were in service for the ideology and cultural identity construction in New China. These movies reflecting the urban life were not the mainstream and three film studios seldom produced such films and thus they existed in an undercurrent way in many films which became unique scenery for people to view the delicate relationship between urban development,rural construction and industrial development.