摘要
纵观于润洋先生的学术研究,它始终贯穿了一条理论线索,即历史与逻辑的融会,理论与实践的贯通。他把音乐学的成果用于对音乐实践的分析和研究,站在史学和美学的高度对音乐作品的历史价值和审美价值进行分析,创立了我国音乐学分析学科。
The scholar and educator YU Renyang's scholarship persists in a line of theory,i. e. the fusion of history and logics,and of theory and practice. His musicological results can be applied to the analysis and study of musical practice. His analysis of the historical and aesthetical value of musical works at the height of historiography and aesthetics has established a subject of musicological analysis in China.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2013年第3期6-15,4,共10页
Art of Music(Journal of the Shanghai Conservatory of Music)
