摘要
有关"板眼"与"节拍"的关系,在国内学界一直存在不同的观点,作者认为板眼≠节拍,并就"板眼"与"节拍"之关系以及"板眼"的性质与特征问题进行了详细论述。
In China's academic community there has exited different viewpoints concerning the relations between meter and banyan( patterns of down and up beats). The author does not regard the former is equal to the latter and further tackles in details the relations between the two and the qualities and features of banyan as well.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2013年第3期16-30,4,共15页
Art of Music(Journal of the Shanghai Conservatory of Music)
