从“门图”到“搭班”——上海民俗音乐传统在现代的转型及成因

From Mentu to Daban- The Origin and Modern Transformation of Folklore Music Tradition in Shanghai

作者以多个案、宽视野的田野考察资料为基础,结合大量地方文献资料,以上海民俗音乐艺人班社的组织方式为切入点,在描述、分析和阐释"门图"与"搭班"的形成及特征的基础上,对于从"门图"转至"搭班"更直接的原因即支撑性体制的转变加以分析。

From the perspective of the ways of the organization of Shanghai folklore musicians' societies,the writer combines quite a few cases based on her fieldwork in a wider vision,with a large number of local sources,so that she can interpret the formation and features of mentu and daban,as well as the more direct reasons of the transformation from the former to the latter,i. e. the change of the supporting mechanism behind.