从静物画到活态画

From Still Life to Living Pictures

本文以当代照相写实主义的表现方法为论题,尤其探讨了基于高清逼真扫描的数字描绘技术。本文的研究旨在参与到当下对数字技术现状的讨论中,并提出这些当代工具对大自然视觉图谱加以拓宽的能力。本研究以静物画的概念为出发点,"静物画"作为一种绘画流派,它穿越若干世纪,横跨多种文化,是艺术家们学习如何完美并忠实地呈现现实事物的教学法则。由于当今的数字技术为我们提供了与数字环境中的事物互动的可能性,对大自然的忠实描绘有助于具象化体验的研究,在具象化体验中,将现实主义、熟悉度、叙事以及观众的参与假定为重要的因素,并重新展开对通过"活态画"实现的新层次的照相写实主义的讨论。

This paper revolves around the issue of contemporary photorealistic representation, specifically exploring digital depictions obtained from high-definition reality-based scans. This research aims to participate in the current debate about the state of digital technologies, and outlines the ability that such contemporary tools have provided to widen the iconic visual repertoire of Nature. The research takes as a point of departure the notion of ＂still Life＂, referring to a pictorial genre that crossed centuries and cultures and represented a pedagogical routine for artists to learn how to perfectly and faithhflly represent reality. As digital technologies are offering the possibility to interact with matter in digital environments, faithful depictions of Nature become instrumental for investigations on figurative experiences that assume realism, familiarity, narrative, involvement of the audience as crucial ingredients, and re- opens the debate about a new level of photoreatism that can be achieved through ＂Living Pictures＂.