摘要
陈晓光的油画艺术是向着民族的心灵而去的,作品也因此达到了表现上的纯粹性,最重要的是在感知民族文化生活的视域中,重塑当代贵州油画的信心和责任,让贵州民族精神中曾经拥有的勃勃生机与活力活在今天,活在当代油画中,进而产生一种时代的、文化生成的形象和力量。
Chen Xiaoguang' s oil-painting art is oriented towards mentality. It is argued that his works show minority people' s cultural living, the confidence and responsibility of contem- porary Guizhoou' s oil paintings and the liveliness of Guizhou people.
出处
《贵州民族大学学报(哲学社会科学版)》
2013年第5期13-19,共7页
Journal of Guizhou Minzu University:Philosophy and Social Science
关键词
油画艺术
民族风情
文化
心灵
oil-painting art
custom
culture
mentality