摘要
本文通过对常熟市虞山古琴保护传承现状的实地调查,阐释当地政府所构筑"节"、"馆"、"室"、"社"、"场"五位一体的多元化格局的活态、立体化古琴保护体系,以及"虞山琴社—常熟理工学院—少儿古琴社"多层面、多渠道的社会合力共建的传承体系。透过对其琴人琴乐的观念、琴社活动、琴乐事象的描述,在田野资料展现基础上进行提升思考。认为在当前古琴保护传承中,应该处理好学院—山林、传统—现代、民间—政府等若干对关系。加强政府的引导作用,加速非遗保护专业人才的培养与建设。
Based upon the field investigation of the current situation of Yushan guqin protection and inheritance, in this paper, we interpret the active, three -dimensional guqin protection system constructed by local government, and a inheritance system co - established by different social circles. Through description of the conception of guqin performer and the music itself, guqin society activities, we think that in contemporary guqin protection and inheritance, we should take the relationship between academy art and free art, tradition and modernity, folk and government seriously, and strengthen government's guide function, and cultivate more and more professionals of intangible cultural heritage.
出处
《艺术百家》
CSSCI
北大核心
2013年第6期109-115,125,共8页
Hundred Schools In Arts