风骨、诗意与入俗——陈洪绶、石涛与清代的陶渊明绘事

The Strength of Character,Poetry and Secularization: Chen Hongshou,Shi Tao and the Paintings of Tao Yuanming in the Qing Dynasty

清代陶渊明绘事较前代更为繁荣,数量和质量皆有超越前代处,产生了足以冠称整个中国绘画史的陶渊明绘画,陈洪绶、戴本孝和石涛等人的作品可为代表。清代陶渊明绘画有三大创造:第一,人物肖像图与故事图相结合产生了优秀作品,以傲然的风骨给人留下难以磨灭的印象,改观了传统的陶渊明画像,这以陈洪绶为代表;第二,发扬光大了渊明诗意图,将陶诗境界以绘画的形式进行艺术再创造,这以戴本孝和石涛等人为代表;第三,版画等工艺中出现陶渊明形象,最引人注目的是其世俗化和人间化倾向。

The paintings of Tao Yuanming in the Qing Dynasty was more prosperous than the previous periods in both quality and quantity,creating the highest level on the paintings of Tao Yuanming in the history of Chinese paint- ing.They were represented by the works of Chen Hongshou,Dai Benxiao,Shi Tao and others.Throughout the history and growth of paintings of Tao Yuanming in this period,there were three innovations:first,represented by Chen Hongshou,excellent works were created from the combination of portraits and story maps,leaving deep impressions with proud strength of character that changed the traditional paintings of Tao Yuanming;sec- ond,represented by Dai Benxiao,Shi Tao and others,the poetic paintings of Yuanming were carried forward, and they made artistic recreation of state of Taos poems in the form of painting;third,there emerged the ima- ges of Tao Yuanming in the crafts such as prints,with a compelling tendency of secularization.