意向的音乐与音乐的意向——兼论音乐意义在音乐创造中的显现(下)

The Music with Intention and the Intention with Music——on the Appearance of Music Sense in Music Creation(the other part)

本文以茵伽尔登关于音乐作品存在方式的主张"音乐是纯意向性客体"为切入点,并在胡塞尔现象学哲学的视域下追问"意向"存在的可能性及其构成方式。同时,把这一概念引入对音乐创造的研究中,并不断用其他哲学、美学流派的观点对作曲家创作的"意向"进行充实,使作曲家的意向在哲学层面得到形而上的补充。此外,本文还着重对音乐本体进行形而下的深入分析,使得主体意向在声音客体和主体意识中相互转化成为可能。在对音乐意向进行一般性的考察后,又对音乐个性的问题阐述笔者观点,并提出音乐作品是作曲家个人意向的独特表述,但最终表现的仍是"人"的普遍意义。

With the Indergarden＇s idea the mode of existence of writing music？ ＂music is pure intentional object＂ as the breakthrough point, and under the vision of Husserl＇s phenomenological philosophy, the article questions the possibility of the existence of ＂intention＂ and its structure mode. At the same time, it introduces the concept of the study of music creation and other genres of philosophy and aesthetics perspective to enrich the composer of ＂intention＂, makes the composer＇s intention get metaphysical supplement in the philosophical level. In addition, this article also emphatically makes a physical analysis of music ontology, makes the main intention transform mutually between object and subject consciousness possible. After investigation about music intentions in general, it elaborates the author＇s views on the issue of music personality, and puts forward that music works is the unique expression of the composer personal intention, but in the end, the performance is still the common meaning of ＂people＂.