禅读萨特的存在主义戏剧

On Sartre's Existentialist Drama form Zen Buddhism Point of View

禅学,世界上最古老的哲学思想之一,作为东方古老的宗教思想,禅宗文化千百年来一直是东方文化的一个不可或缺的基石。而作为"年轻"的后现代主义戏剧的一支,存在主义戏剧以其独有的魅力吸引着众多观众。在众多的存在主义剧作家中,让-保罗·萨特可谓是存在主义戏剧最具代表性的领军人物。一个是含蓄内敛的古典东方文化,一个是奔放直率的西方后现代思潮,二者虽相距两千余年且"性格"迥异,但它们对于自由、平等以及人的主观能动性的认可是十分相似的。本文试用禅学的角度解读让-保罗·萨特的存在主义戏剧,并找出两者在精神主旨上的互通之处。

The Zen Buddhism, as one of the most ancient philosophic ideas and oriental archaic religious ideology, has been an indispensable cornerstone in oriental culture for thousands of years. Post-modernist play, which is considered as the ？new favorite？in the theatrical circle, occupies the stage of theatrical circle as an emerging force to show its unique charm. In numerous existentialism playwright, Jean-Paul Sartre is existential drama, leader of the world＇s most representative. This paper, taking Sartre plays as examples, makes an attempt to analyze the philosophical ideas and salvation consciousness in their works from the angle of Zen Buddhism.