抗战时期蔡仪、洪毅然关于《新美学》的“碰撞”

“Collision” of New Aesthetics between Cai Yi and Yiran Hong during Anti-Japanese War

蔡仪抗战时期不乏"新"美学的观点,但同时也存在着理论上的罅隙和矛盾,故引起当时对美学感兴趣的朱光潜、洪毅然等人的关注,引出多方面的分歧。洪毅然是这场"碰撞"的关键人物。蔡仪与洪毅然作为中国新美学的思想先驱,早在抗战时期就开始用中国话语体系谈论美学的基本理论问题。尽管洪毅然与蔡仪关于美学问题的碰撞由于战争原因没有继续下去,但是,"主客体"、"美本身"、"典型论"等概念并没有消失,而是被中国美学与文艺理论作为核心范畴一直使用下去了。

Cai Yi always had many views about New aesthetics,but there are also theoretical contradictions,which attracting the attention of Guangqian Zhu and Yiran Hong,and brought many differences from many fields,Yiran Hong is a key figure in the 'collision'.Cai and Hong resolutely as Chinese new aesthetic pioneers,began to basic theoretical issues about aesthetics in Chinese discourse system in the early period of the war of resistance.Although Hong resolutely collision with Cai Yi about the aesthetic problem,and did not continue to do so because of the war,however,the concepts of 'subject and object','beauty itself','typical' did not disappeared,but still be used as the core of the Chinese aesthetics and theories of literature and art.