摘要
当代著名音乐分析美学家夏普以音乐作品的艺术本体为讨论中心,通过比较分析程序主义、功能主义、历史主义、认识论等四种不同的音乐美学理论,阐述了语境主义音乐美学观念对于解决当代音乐美学问题的重要性。夏普情境主义的音乐美学观念使音乐艺术的发展进入了一个开放的境遇,为学界提供了一种接近音乐本质的不同路径,同时丰富了人们对音乐的认识与思考。
R. A. Sharpe, a famous contemporary musical analysis aesthetes, treats the musical works'noumenon of art as the center of discussion. And he also illustrates the importance of eontextualism musical aesthetics concepts to deal with the problems of contemporary musical aesthetics by making a comparative analysis of four different music aesthetic theories, that is, proceduralism, functionalism, historicism and epistemology. R. A. Sharpe' s musical aesthetics concepts has led the development of music art to an open area, provided a different way of approaching music essence for musical field and meanwhile enriched people's understanding and pondering on music.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2013年第6期100-103,共4页
Journal of Northwest University:Philosophy and Social Sciences Edition
基金
陕西省社会科学基金项目(13N047)
关键词
夏普
音乐美学
音乐作品
艺术本体
R. A. Sharpe
musical aesthetics
musical works
noumenon of art