摘要
百回本小说《西游记》蕴含丰富的艺术价值,值得从不同角度开掘与阐释。作为世俗人物的陈光蕊抱有传统儒家理想,但是其人生理想和家园追求却具有讽刺意义地归于失败。作为魔界一员的罗刹女,实际上是一名世俗普通女性的变形,渴求着相夫教子、鸾凤和鸣,然而这个家园梦想也同样归于幻灭。风险与疏离让不同人物走进了悲剧的命运,这也令这部小说具有了社会批判意义。
The rich artistic value of the 100-chapter A Journey to terpreting from different angles. This paper analyzes the risks the West is worth in-depth digging and in- and alienation of common people's ideal home from the fates of two figures: one is Chen Guangrui, and the other is a female demon named Rak- sasa. As a Confucian scholar, Chen's life ideal and pursuit of a home turned out to be a failure ironically. Similarly, Raksasa is an ordinary lady with the disguise of a demon, who is longing for a husband, a home and a good life. However, her ideal ended in failure, too. Therefore, risks and alienation made people of different background fall into the tragic hand of fate, endowing this novel with great significance of social criticism.
出处
《淮海工学院学报(人文社会科学版)》
2013年第17期11-14,共4页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
关键词
《西游记》
理想家园
风险
疏离
A Journey to the West
ideal home
risks
alierxation