摘要
艺术来源于生活且反作用于生活。东北秧歌脱胎于原始歌舞,在形成与发展的过程中,其功能和作用不断发生变化,20世纪初以前主要是"娱神"、"娱上",新中国成立以后,主要是"娱人"、"娱己"。
Art comes from life and reacts to it. Northeast Yangko was born from a primeval song and dance, and its function and role has been continuously changing in the process of forming and developing. Before the 20th century, its main functions are ＂entertaining gods＂ and ＂entertaining heaven＂. After the founding of the People＇s Republic of China, they mainly ＂entertain people＂ and ＂entertain self＂.
出处
《吉林师范大学学报（人文社会科学版）》
2013年第6期20-22,共3页
Journal Of Jilin Normal University:Humanities & Social Science Edition
基金
吉林省教育厅"十一五"社会科学研究项目(编号:吉教科文合字[2009]第8号)
关键词
艺术
东北秧歌
功用
art
Northeast Yangko
function
