摘要
《管子》四篇有着独特的人格美学思想,其修心与养气同一化的心理历程为人格美的彰显提供了契机。其修心层面对理想人格的生成在养气层面表明的是审美人格的生成。因精气从心舍向身体的弥漫,最终导致不可见的抽象精神和生理性的器官转化为一种可感的、可欣赏的审美人格,而其全心的生命境界也因此而成为一种审美超越之境。审美人格的形成也使得《管子》四篇中所言的心物关系并不主要是一种认识论关系而是一种审美的感通关系。
There contains special personality aesthetic thinking in the four chapters of Guanzi,and its i dentical process of cultivating the mind and preserving the spirits provides insights to the beauty of personality. The nurturing of ideal personality on the level of cultivating the mind is echoed on the level of preserving the spirits by the formation of aesthetic personality. The overflowing of jingqi from inside the body will eventually lead to the transformation of the invisible spirits and physiological organs to a tangible,ap- preciable aesthetic personality, and man's whole living existence will turn into a transcendental aesthetic realm. The aesthetic personality makes the relationship between heart and the outside world more like a relationship of aesthetic appreciation than an epistemological relationship.
出处
《徐州工程学院学报(社会科学版)》
2013年第6期21-25,共5页
Journal of Xuzhou Institute of Technology:Social Sciences Edition
基金
国家社科基金后期资助项目"先秦儒道心性论美学研究"(12FZX022)
关键词
管子
精气
人格美
认识论
审美关系
Guanzi
jingqi
personality aesthetics
epistemology
aesthetic relationship