摘要
审美的遗忘性与作为生理层面的遗忘性有着很大的不同,"遗忘"并非真正地对对象产生了实在的陌生感,而是一种情感需要或艺术的处理手段,它最终达到的审美效果便是一种对现实、对过去,对事物、人情和逻辑的一种解构与超越。精神层面上"积极"的遗忘与生理层面"消极"的遗忘迥然相异,通过这种审美意义上遗忘式超越,人的情感得到暂时的疏解和释放,艺术作品的艺术魅力也因此增强。
Aesthetic amnesia is very different from physical amnesia, which is not really having a strange sense of reality, but a feeling in need or a treatment means of art to transcend different things. The spirit level ＂positive＂ forgetting and physiological levels of ＂negative＂ forgotten are utterly different, and the aesthetic sense forgetting can overnm people＇s emo- tional ease, release the temporary, enhance the artistic charm.
基金
国家社会科学基金资助项目"中外<庄子>的西学阐释研究"(项目编号:09BZW011)
关键词
生理的遗忘
审美的遗忘
心灵自由
超越
physical amnesia
aesthetic amnesia
freedom of the soul
transcending
