摘要
该文以"陌生化"和"熟悉化"两个学术背景为基础,通过对张军为代表的云南本土建筑师的采访和其实践设计——解脱林和野鸭湖两个项目的分析,探求以张军为代表的云南本土建筑师这种"陌生化"工具背后的价值理念以及传统乡土的当代解读,并引出了对建筑地域性的再思考,以及基于此对地域建筑相关命题的思考和感悟。文章试图提出关于地域主义和全球化间"桥"的概念,并在"桥"的概念里引入"间"的诠释,并对张军的尝试进行了总结,进而总结出"桥"背后的观念在于——道器之间——伽达默尔的"对话式立理解",最后得出在"桥"背后精神——关键的是要"视域融合"。
This article based on two academic backgrounds, namely, "estrangement" and "familiarity", then through the analysis of researches and practical designs in Jietuo Forest and Yeya Lake by Zhangjun, a distinguished representative of native Yunnan architect, this article further explores the modern interpretation that supported the value and traditional local feature of this kind of "estrangement". And this will further lead to our rethinking about the local feature in architecture and related reflections and inspirations based on this topic. This article brings up the "bridge" conception which linked between "local" and "global" as well and inserts the interpretation of the "space" conception, and finally concludes the attempts taken by Zhangjun. Based on the mentioned conclusion, here we got the essence: the supporting conception of "bridge" lies in tools and equipment as the "Dialog- mode- understanding" by Hans-Georg Gadamer refered, and the supporting spirit of this "bridge" lies in the combination of our vision and the local feature.
出处
《华中建筑》
2013年第12期15-20,共6页
Huazhong Architecture
关键词
张军
地域建筑
传统乡土
跨文化
Zhangjun, Local architecture, Traditional local feature, Cross-culture