三十年代海派文学的法国想象

The French Image of Shanghai School's Literature in 1930s

三十年代海派对上海城市的表现,有着明显的法国文化摹本,甚至有着某种"法国形象"。其中不乏假想成分,以嫁接、比附上海在城市现代性外观上与西方的同步。在表现上,以消费性与文化权力的空间想象最为突出,表现出过强的物质性、假想的西方身份,以及刻意制造与本土中国的差异的诉求。其迷乱之处,反而印证了其东方特征。

There were distinct copy of French culture, even kind of ＂France＇s image in the Shanghai school＇s expression of Shanghai in the 1930s. There was also hypothesis to synchronize Shanghai＇s and western modernity by grafting and analogy. In the expression, the most prominent things were the consumption and the space image of cultural power, they showed a strong material, imaginary western identity and appeal of deliberately making the difference between Shanghai and local China. Instead, the confusion confirms the Oriental characteristics.