摘要
埃及现代作家陶菲克·哈卡姆借鉴西方现代派表现手法完成了四幕剧《洞中人》,在作品中探讨了人类进退维艰的尴尬处境和两难选择。本剧可以从理想与现实之间的隔阂、人类贵远贱近的思维定势以及"否定"之虚无主义三个层面解释造成悲剧的成因所在。剧本运用大量的对话、暗示、隐喻和对比手法来表现乌托邦在别处的主题,体现了现代哲理戏中集具象与抽象、现实与虚幻、表现与再现于一体的风格和形式。
As an Egypt modernist writer, Tawfig al-Hakim writes the scripts The People of the Cave b~. learning from Western modernist writers, exploring the embarrassing situation and the dilemma choices. We can analyze the text from three levels by the gap between the reality and ideal, mindset and nihilism of negation. The play reflects the style of modernist plays by the techniques of dialogue, hint, metaphor and contrast.
出处
《临沂大学学报》
2013年第6期120-123,共4页
Journal of Linyi University
关键词
陶菲克·哈卡姆
乌托邦
《洞中人》
埃及
现代派
哲理剧
Tawfig al-Hakim
Utopias
The People of the Cave
modernism
Egypt
philosophical drama