试论我国古代观音造像艺术的嬗变特点

On Evolution Features of Chinese Ancient Guanyin Statue Art

观音信仰是从印度随佛教传入中国的"舶来品",在与中国固有传统文化不断融合与凝结过程中发生了必然的嬗变,其艺术风格逐渐走向民族化。其中,观音造像造型由最初的"神性化"向"世俗化"发展,可以说是现实生活对佛教美学的影响与干预所造成的结果。

The belief in Guanyin is ＂exotic＂ which complied with India Buddhism to China, and occurs inevitable evolution in the process of continuous integration and condensation with Chinese inherent culture, gradually moving towards the nationalization. Among them, the Guan Yin statues from the initial shape of the ＂divinity＂ to the ＂secular＂ , it is can be said that is the result of the impact intervention of real life to aesthetics of Buddhism.