中国传统的“虚静”观与文人园的空灵之美

Concept of “Tranquility and Void” and Beauty of Spaciousness of Scholar Gardens

"虚静"观是中国传统哲学思想中重要的理论体系。古人以"虚静"为美德,因其反映了一种虚怀若谷、清静寡淡的高尚内在修养。人只有达到内心的纯净、宁静,才能更为深刻地感受外物,进而客观地对其进行评价。中国文人园林中空灵的意境则与哲学的"虚静"观有着密不可分的联系。它反映了园主人淡泊、旷达的性情,并能给观者带来内心的安静与平和。它以宁静、悠远、无我的姿态,向世人展示着其独特的艺术魅力。

The concept of ＂tranquility and void＂ is one of the most important theories in Chinese traditional philosophic thoughts. Ancient people looked on ＂tranquility and void＂ as a kind of virtue, since it shows a noble self-cultivation with modesty, open-mindedness, few desires and pure heart. Only the people whose heart is undefiled and peaceful can apper- ceive the nonego, and then make objective evaluation on it. The spaciousness of Chinese Scholar Gardens is closely related to the concept of ＂tranquility and void＂. It reflects that the garden owners are open-minded and do not seek fame and wealth. Meanwhile the spaciousness brings visitors inside peace and tranquility. The Scholar Gardens, with the appearance of tranquility and generosity, have shown unique artistic charm to people all over the world.