摘要
"西藏"①作为一种独特的文学想象和诗性建构空间,持久地吸引着汉族作家进行各自的表述书写。就以新世纪以来的小说为例,对西藏书写呈现集约式的"井喷"。但由于依赖奇观化的展示,导致西藏日常生活的遮蔽;同时对西藏全面的诗意化,也显示书写主体的理性批判精神的明显缺失。对西藏抱持"原生态"的理解和期待,是一种西方中心观的"东方主义"的话语在中国的复制。惯以一种"探险寻宝"悬疑小说模式表现西藏,亦遮蔽了西藏丰盈的文化意蕴与精神向度,是一种大众文化的消费品。
Tibet,seen as an unique literary imagination and poetic construction space,constantly Han ethnic writers to write and express themselves feelings. Taking novels been written during century as example,their writings about Tibet appears intensive blowout ,node. However,because on spectacle showing,makes Tibetan daily life was sheltered and meanwhile, the overall poetic style to Tibet shows the obvious missing king forward to and understanding Tibet concept's world "orientalism" copied into of the rational criticism of as "the original ecology" attracts the new depends writing the main body of the writings. Loo- is a kind of the westerncenter China. Performing Tibet by using the exploring hunting'suspense novel mode also sheltered the abundance cultural implication comes kind of consumer goods for mass culture spiritual and treasure purpose, be-
出处
《西藏研究》
CSSCI
北大核心
2013年第5期100-110,共11页
Tibetan Studies
基金
2012年度教育部人文社会科学研究青年基金项目"当代汉族作家的边疆叙事研究"(项目批准号:12YJC751030)系列成果之一
关键词
汉族作家
新世纪小说
西藏
奇观
诗意
原生态
悬疑
new century novels
Tibet
wonders
poetic
original
orientalism
suspense