美学语法:后期维特根斯坦的美学旨趣

Aesthetic Grammar:Late Wittgenstein's Aesthetic Purpose

后期维特根斯坦美学观念对20世纪后半叶的美学研究影响巨大。这里从美学语法角度重新解释后期维特根斯坦的美学旨趣,将美学语法放入具体的问题辨析当中。美学语法研究主要是消解性的,主旨在于辨析澄清以往美学研究中存在的根本性的语言误用,对美、美学、内在意识等做了一系列限制或消解,并在艺术类型的分界中凸显艺术规则的中心地位。美学语法不仅是一种防御性的美学思路:它清除了各种语言误用、概念误用,同时也是一种积极的思路:它为美学发展消除障碍,为美学开辟新方向。

The aesthetic concepts of late Wittgenstein, which can he explained and extended as aesthet- ic grammar, is influential to the aesthetic research of late 20th century. Aesthetic grammar dispelled a series of misused foundational concepts such as the beauty, aesthetics, inner consciousness the like. in sequence with the core position of artistic rules highlighted by the limitation of artistic styles. Aesthet- ic grammar is not only a defensive aesthetic way of clearing a variety of language misuses, concept mis- uses, but also a positive way of aesthetic thinking to open up new direction by removing obstacles.