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巴罗克文化与17世纪英国诗歌的文体生成 被引量:11

Baroque Culture and the Stylistic Formation of the 17th-Century English Poetry
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摘要 17世纪英国诗歌在意象、比喻方式、句型结构等文体方面显示出了与16世纪英诗的显著差异,形成这种文体的文化根源则是16世纪末至17世纪席卷欧洲的巴罗克文化。巴罗克文化促使英国诗歌从客观摹仿向主观表述内视化转向,巴罗克文化表现出来的内心焦虑感和视觉呈现的恢宏性也规定了17世纪英国诗歌文体的张力性和夸饰性。这说明诗歌文体的生成不是孤立的文学内部发生学现象,而是特定时期多种文化因素共同作用的结果。 In terms of imagery,tropes,and syntax,the 17th-century English poetry demonstrates a striking stylistic difference from that of the 16th century,the cause of which lies in the baroque culture prevailing in Europe from the late 16th to the 17th century.The baroque culture precipitates the moving away of English poetry from the objective imitation into a subjective expression,meanwhile the baroque anxiety and visual magnificence prescribe the making of the stylistic tension and exaggeration in the 17th-century English poetry.The stylistic formation is not merely a matter of poetry itself,but also involves cultural aspects of a particular period.
作者 刘立辉
出处 《西南大学学报(社会科学版)》 CSSCI 北大核心 2013年第6期108-116,175,共9页 Journal of Southwest University(Social Sciences Edition)
基金 国家社科基金项目"英国十六 十七世纪巴罗克文学研究"(07BWW014) 项目负责人:刘立辉
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参考文献33

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  • 2Samuel Johnson. laves of the Poets: A Selection[M]. Oxford: Oxford University Press, 2009: 111-112.
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二级参考文献22

  • 1杨周翰.巴罗克的涵义、表现和应用[J].国外文学,1987(1):5-18. 被引量:7
  • 2Ricardo J. Quinones, Renaissance Discovery of Time (Cambridge, MA: Harvard University Press, 1972) 3.
  • 3Rolf P. Lessenich, "The ' Metaphysicals' : English Baroque Literature in Context," 11 Jan. 2008, <http: //webdoc. sub. gwdg. de/edoc/ia/eese/artic21/less3/Startseite. html >.
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  • 8Geoffrey N. Leech, A Linguistic Guide to English Poetry ( Beijing: Foreign Language Teaching and Research Press, 2001 ) 56 - 58.
  • 9杨周翰.《十七世纪英国文学》.北京:北京大学出版社,1985年,第155-156,165-168页.
  • 10Dennis Davison, "Marvell' s Religious Poems," in Cesare, Mario A. Di, ed. George Herbert and the 17th-Century Religious Poets (New York: W. W. Norton & Company, 1978) 320 -326.

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