元初文人题陶画诗谫论——以郑思肖、刘因、赵孟兆页为例

At the beginning of Yuan dynasty literati paintings of Tao Poetics——Zheng Sixiao,Liu Yin,Zhao Mengfu as an example

元初文人郑思肖、刘因、赵孟兆页,分别以主景观照、两极思维、情景交融为创作方式,留下题陶画诗。从创作方式上可见,三家的绘画接受思想以爱国情怀、扶世立教、典雅蕴藉为原则,并深受忠贞激愤、情理两难、调和折中的文人心态影响。题陶画诗,实际是纽和诗书画关系并牵涉陶渊明元代接受问题的核心,借此可见,元初文人恪守并发展民族优秀文化传统,亦可见特定历史时期文人的精神风貌。

In this paper, the early Yuan Zheng Sixiao, Liu Yin, Zhao Mengfu, for example, through interpretation of its Tao painting poetry, found the main landscape photos, polarized thinking, scenes are three Tao painting poetry creative way, this way reflects the three were created to patriotism, supporting the world Rikkyo, elegant and refined paintings to accept the principle of thinking, and by three loyal indignant, reasonable dilemma, to reconcile the impact of compromise mentality of Scholars. This paper intends to dig through three Tao painting poem poetry ways to accept ideas and literati painting mentality and the intrinsic link between them, exploring Tao painting Poets and Poetry of painters, the relationship between drawing and causes.