对民国时期茅盾等作家小说中资本叙述的一种解读

How Capital Is Narrated in Mao Dun's Novels

民国时期茅盾等作家小说中的资本叙述,呈现了那一时代资本在无序市场中的变异和萎缩,即非市场力量对资本运营的操控使资本不得不"蒸发"、"瘦身"和"转化",从而使整个社会的资本萎缩;呈现出了真实可信的未塑的资本人格,即在不发达的市场经济条件和封建传统文化制约下的缺乏现代资本人格核心和本质精神品质的不健全、不成形的资本人格;表现了作家关于资本剥削、资本存在的合理性和资本交往的资本理念,这些理念与人类社会历史逻辑可能相吻合,也可能相背离。

Mao Dun is representative of the writers in the period of the Republic of China. His narrations on capital reveal that in a chaotic market, capital is basically on variation and shrinkage. The manipulation from the non-market forces in the operation of capital leads to the latter＇s ＂being vaporized＂, ＂losing weight＂ or ＂being transferred＂, resulting in the shrinkage of the total capital in society. Through this type of narration, a personalized capital market is presented to the reader; it demonstrates that when feudal culture is still rampant and market economy has not yet been shaped, a healthy and regulated capital market is almost impossible; it also reveals the author＇s ideology about the rationality of capital existence and exploitation, which might fall in the logic of social development or might not.