摘要
巴赫金的时空体概念,不仅将叙事中的时间和空间整合起来,而且关注时空与人物和情节的互动,为阐释《马丁·德赛勒》的空间叙事提供了新的角度。《马丁·德赛勒》的时空体表现为19和20世纪之交美国的城市、旅馆和展馆,从而使得这部小说成为一部资本的寓言:小说的主人公虽然因为从事资本化的空间生产而成功,但他最后因为"空间的恋物癖"而跌入资本的陷阱惨遭失败,表明了作者对作为意识形态的美国梦的虚幻本质的批判立场。
Chronotope,a Bakhtinian concept,opens up a new approach to the space narrative in Martin Dressier by both integrating space with time in narrative analysis and emphasizing the interaction between space-time and character or plot.The chronotope of the novel is embodied in the city,restaurant and museum at the turn of the 20th century,making the novel an allegory of capital.Although the protagonist makes success by involving the space production,his final failure lies with his fall into the trap of capital by his ＂spatial fetishness＂,thus giving expression to the author＇s criticism against the disillusioned American Dream as ideology.
出处
《当代外国文学》
CSSCI
北大核心
2013年第4期19-26,共8页
Contemporary Foreign Literature
