摘要
从实践某种回归中国传统文化视域的文本解读模式的可能性出发,通过对《酒国》中以"酒"的文化禁忌为叙事原点在文本建构中进行弥散和渗透,从而达到对政治禁忌直抒胸臆、丰富本土写作经验的目的,具体呈现莫言坚持以对文化的坚守来实现文学的书写和对政治的超越的创作特色。
Introducing a text interpretation model which focuses on the per- spective of traditional Chinese culture, this paper looks into the cultural taboo of wine as the narrative origin of The Republic of Wine and its development in the text construction for the purpose of criticizing the political taboo and enriching the native writing experience. Additionally, the paper gives a detailed description of Mo Yan's creation characteristics, that is, his persistence in culture has brought about the illustration of literature and surpass of politics.
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2013年第6期157-161,共5页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
《酒国》
叙事原点
禁忌
酒
The Republic of Wine; narrative origin; taboo; wine