摘要
汤显祖的临川四梦和莎士比亚的传奇剧都以"传奇"为名,其中都包含不可或缺的梦幻描写。针对这一现象,对二者的梦幻描写进行了系统的比较,并从艺术构思的层次上挖掘这一艺术特色的成因,旨在探究形成这一巧合的深层根源。
The Four Dreams by Tang Xianzu and the four romances by Shakespeare are both named "chuanqi" in Chinese, and they both contain indispensable depiction of dreams and fantasies. With a view to such a phenomenon, this thesis makes a systematic analysis of such depiction in these plays and tries to explore the formation of such a feature from their artistic conception, in the hope of revealing the deep roots that contribute to this coincidence in dramatic creation.
出处
《大连民族学院学报》
CAS
2013年第6期633-636,共4页
Journal of Dalian Nationalities University
基金
辽宁省教育厅创新团队项目(WT2010005)
关键词
汤显祖
临川四梦
莎士比亚
传奇剧
梦幻
Tang Xianzu
The Four Dreams
Shakespeare
romances
dreams and fantasies